Thursday, February 9, 2023

This Valentine's, Laqshay Kapoor brings Love in the form of Sohnneyaa

This Valentine's, Laqshay Kapoor brings Love in the form of Sohnneyaa


Click here to watch the video-
 https://www.youtube.com/watch?v=0Ol1oriSJSQ


Laqshay Kapoor’s voice can make millions of people swoon, and the emotional intensity that his music summons up can hardly be paralleled by any other contemporary singer. After his debut non-film single, "Tumhe Pyaar Karrunga," which took the music world by storm, The voice of millennial romance, Laqshay Kapoor, is back with another love song, "Sohnneyya," right in time for this year's Valentine's Day.

This soul-stirring romantic song is sung by Lakshay Kapoor and accompanied by the unparalleled Shreya Ghoshal, with a composition by Ravi Singhal and penned by wordsmith Kunaal Vermaa. Backed by Cornerstone Agency and VYRL Originals, Laqshay brings a song for all ages and beating hearts and is set to take us on a pathos-filled journey of love, separation, and union with his velvety smooth.

The music video is shot by Shauna Gautam, who has assisted Karan Johar in several of his films, and is cinematically mounted. The music video stars Laqshay and actor Saachi Bindra, who share a cute and romantic on-screen chemistry that emphasises a passionate declaration of love by a soldier for the love of his life. The video and song arrive just in time for Valentine's Day, with gorgeous framing, rustic locations, and emotions on full display.

Laqshay Kapoor says "Sohnneyya is my Valentine's gift to my fans. My eternal gratitude extends to VYRL Original for teaming me with Ravi and Kunaal for such a beautiful piece with the evergreen Shreya Ghoshal. It was an absolute pleasure to work with Shauna and Saachi on set. Sohnneyya is a love song for all ages, and I hope it will connect with my lovely audiences."

Talking about her newest release, Shreya Ghoshal shares, "Sohnneyya is a beautiful song with touching lyrics and a superlative composition. I fell in love with the song the moment I heard it. Laqshay possesses a remarkable emotional intensity in his voice. I'm delighted to have sung this romantic song, which is being released in the month of love, and there's no better way to express your love than by dedicating this song to my adoring fans."

Saturday, February 4, 2023

Osho Jain song

 Hum jab door Ho Jayenge by Osho Jain exemplifies how simplicity and authenticity can capture someone's heart.


Click here to listen to this song now - http://umgindia.lnk.to/HJDHJ Watch out for the 

                                             https://youtu.be/CXNV13-Wh1s




 

Osho Jain, a singer-songwriter, composer, and performer, confronts the subjects of love, grief, and loss in his latest release "Hum jab door Ho Jayenge". The soothing music and distinct voice of Osho make it a pleasant late-night listen. Osho Jain is capable of not just expressing his message but also creating captivating melodies despite the enormity of the concepts.

 

Lyrics on this track describe loneliness and its qualms in poetic and cutting verses. The remarkable baritone of Osho illustrates both the pain as well as the joy that can come from emotional wreckage.

 

In the past Osho Jain has released 34 songs with ‘Khush Toh Hai Na’, ‘Tu Aisa Kaise Hai’, ‘Khud Se’, ‘Kya Pata’ being the most popular ones. The songwriter's musical journey started long back as a kid, as there was music all around him. Jain who has been writing and learning music since he was 12 commenced his musical journey with indie-rock band ‘Aankh Micholi’. His collaborations with Dominos, UCB, Instagram, Amazon etc has graced his social journey. His latest performance at the MTV World Music Carnival and NH7 Weekender made him more lovable by his audience. Osho has more than 25 million plus streams across platforms and about 4 lacs plus monthly listeners on Spotify.

 

" ‘Hum jab door Ho Jayenge’ is an emotion that everyone has felt at some point in their relationships. It is a ‘what if’ song and I feel it will resonate with a lot of people. I hope it takes you somewhere you have never been before.", says Osho Jain.

Bhabiji Ghar Par Hai

  “Our commitment to spreading smiles has been the biggest reason behind Bhabiji Ghar Par Hai’s success,” says Rohitashv Gour, aka Manmohan Tiwari of Bhabiji Ghar Par Hai



 

 

Rohitashv Gour, a well-known name in Hindi television and films, has become a household name for his portrayal of Manmohan Tiwari in &TV's Bhabiji Ghar Par Hai. The actor has been tickling the audience's funny bone with his impeccable comic timing for years and has become the audience’s absolute favourite. In this candid chat, the actor discusses his journey as Tiwari and what keeps him committed to the role even after seven years.

 

1.    Your character Manmohan Tiwari has become a household name. Were you expecting this kind of love when you started shooting for Bhabiji Ghar Par Hai?

When a serial gets popular, several prominent characters become household names. Bhabiji Ghar Par Hai gave me immense success as an actor. When we started this show, we were worried about how the Indian audience would react to the show’s concept. But today, I am grateful for the love and appreciation I have received as an artist, and I also feel happy for my co-stars and the entire crew. Audiences’ unwavering support for my character encourages me to give my best in the show and continue to create a unique identity in the entertainment industry.

 

2.    What was your family’s reaction when you bagged the role of Manmohan Tiwari in Bhabiji Ghar Par Hai?

Initially, I felt that my wife Rekha would not like watching me on screen flirting with the bold and beautiful Bhabi, but she liked the funny antics of my character and loved the show. My entire family has been extremely supportive and enjoys my acting work.

 

3.    What, according to you, is the reason behind the huge success of Bhabiji Ghar Par Hai?

The biggest reason for the show's success is its unique characters and funny tracks. The tragedies that our characters face and hilarious get-ups keep the audience glued to our show. On several occasions, our fans have mentioned how watching the show has brought happiness into their lives. There have been cases wherein many patients have written to us stating how the show’s comedy has helped them divert their minds from their pain. Our commitment to spreading smiles has been the biggest reason behind the show’s success.

 

4.    It’s been seven years now. What keeps you motivated to play Tiwari Ji?

The most exciting part is that we portray different stories every week. Every track offers a funny situation and conflicts. The writers need to be applauded for keeping the fun quotient high and giving us actors the opportunity to continue creating magic on screen as actors. This apart, if something interesting comes up for me in the world of OTT, I will do it since it would help me to grow as an artist. However, I will not take up any other project if it needs me to quit playing my character Tiwari, which has brought me immense fame in the industry.

 

5.    Please share with us your passion for acting and your overall journey.

I began performing in theatre during my childhood in Shimla. After that, I got involved in amateur theatre. I got my big break in 1985 in Shimla at a workshop held by the National School of Drama’s and Language Art, and Culture Department, Shimla. I did a one-month acting programme there, which prepared me to pursue a full-time 3-year diploma at the National School of Drama. After completing the course, I started my journey as an actor. Those were my most cherished times, and I learned quite a lot. From being an amateur artist to becoming a professional theatre artist. The journey was quite fruitful and laid the foundation for my acting career. During that time, I shared the stage with many renowned and accomplished artists like Saurabh Shukla, Himani Shivpuri Ji, Seema Biswas Ji, Shrivardhan Trivedi and Shri Anupam Shyam, to name a few. It was a wonderful learning experience. After doing theatre for a while, I got a few TV projects, and finally, in 1991, my journey in television started with a show named Firdaus on DD1. After that, I also did many Bollywood films like Munnabhai, PK, Dhoop by Ashwini Chaudhary, Matrubhoomi and Attithi Tum Kab Jaoge.

 

Watch Rohitashv Gour as Manmohan Tiwari in &TV’s Bhabiji Ghar Par Hai at 10:30 PM every Monday to Friday!

 

Asia's longest bar Lord of the Drinks has now gotten a fresh makeover along with the launch of club IGUANA

 Asia's longest bar Lord of the Drinks has now gotten a fresh makeover along with the launch of club IGUANA


The evening saw the presence of Zulfi Syed, Nishka Lulla Mehra, Sandhya Shetty, Poonam Pandey, Munisha Khatwani, Hansa Singh, Malini Agarwal, Ami Neema, Marita Monteiro, Sabyasachi Satpathy, Jugnu Ishiqui, Heli Vyas, Bushra Madhiya, Tejaswini Kolhapure, Rohit Verma, Bhawana Agarwal, Namrata Purohit, Rajdeep Bajpai, Asmi Rishal, Sahil Phull, Megha Chakraborty, Rohini Bhat and many more

LOTD returns as a whole new haven of imaginative food, extraordinary drinks, and modern sophistication with 220 different types of cocktails specially designed with different flavors. Gone are the days when you'll struggle to get a drink at the bar as Lord of the Drinks' revamped outlet welcomes you to Asia's Longest Bar so no more waiting to get your favorite beer or a glass of exotic cocktail.



To amp up Mumbai’s LIT factor Club IGUANA is your go-to place. The main idea behind this establishment is to give night owners a new-age insatiable nightclub experience. It is a high-energy nightclub with performances by in-house as well as some top guest DJs.

Ditch your everyday resto-bars as Mumbai has got two of the finest bars in town. Lord of the Drinks & IGUANA has covered everything for you from fusion cocktails to scrumptious meals. Binge on the most scrumptious dishes for an unforgettable dining experience. Their classy and elegant decor with unique delicacies will make you fall in love with both places even more. The well-lit ambiance will leave you awe-struck, and exquisite meals will definitely satiate your hunger pangs. You've got to try these places to know exactly what you're missing out on. Their friendly staff will make sure you won't leave disappointed. You know exactly where to head this weekend. The whole ambiance designed by ace architect ЁЭЧжЁЭШВЁЭЧ║ЁЭЧ▓ЁЭШАЁЭШАЁЭЧ╡ ЁЭЧаЁЭЧ▓ЁЭЧ╗ЁЭЧ╝ЁЭЧ╗ speaks of artistic decor - you'll surely have many picture-perfect moments here to update your Instagram feed. The seating is also cozy and comfy with enough space and amazing music to enlighten your mood.



Navin Agrawal, owner of many renowned restaurants and clubs in Mumbai like Dragonfly Experience, Lord of The Drinks, Canton, The Flying Saucer, Diablo, and Club Iguana says “We are happy to bring back one of our most celebrated outlets of Lord of the Drinks in Utopia City again along with the launch of club IGUANA. Our aim with LOTD & IGUANA is to make it a place where people get together to not only relish good food & cocktails but also enjoy the ambiance, aesthetics, and the experience that comes with it”.

Sachin Bhat,
 Vice President of First Fiddle says "We’re absolutely elated to bring to you a revamped LOTD, based on a completely new theme. Apart from LOTD return, we also bring to you club IGUANA. Nestled in Kamala Mills, the party hub of Mumbai, both LOTD & club IGUANA fill the atmosphere with high spirits and good times that will stay with you through the days ahead”.

Thursday, February 2, 2023

рдмोрд░िрд╡рд▓ी рдордз्рдпे рдХрд▓्рдпाрдгрдиे рд╕ुрд░ू рдХेрд▓े рдирд╡ीрди рд╢ोрд░ूрдо

            рдмोрд░िрд╡рд▓ी рдордз्рдпे рдХрд▓्рдпाрдгрдиे рд╕ुрд░ू рдХेрд▓े рдирд╡ीрди рд╢ोрд░ूрдо


рдирд╡ीрди рд╢ोрд░ूрдо рдордз्рдпे рдХрд▓्рдпाрдгрдЪी ‘рд╡िрд╢ेрд╖ рдоुрд╣ूрд░्рдд рд▓ॉрди्рдЬ’ рд╣ी рдЕрдиोрдЦी рд╕ंрдХрд▓्рдкрдиा рд╕ाрджрд░


рднाрд░рддाрддीрд▓ рд╕рд░्рд╡ाрдд рд╡िрд╢्рд╡ाрд╕ाрд░्рд╣ рдЖрдгि рдЖрдШाрдбीрдЪ्рдпा рдХрд▓्рдпाрдг рдЬ्рд╡ेрд▓рд░्рд╕рдиे рдоुंрдмрдИрддीрд▓ рдмोрд░िрд╡рд▓ी рдпेрдеे рдирд╡ीрди рдбिрдЭाрдИрди рдХेрд▓ेрд▓े рд╢ोрд░ूрдо рд╕ुрд░ू рдХेрд▓े. рдПрдХ рдЦाрд╕ рд╡ैрдпрдХ्рддिрдХृрдд рдЦрд░ेрджीрдЪा рдЕрдиुрднрд╡ рджेрдг्рдпाрд╕ाрдаी рдХрд▓्рдпाрдг рдЬ्рд╡ेрд▓рд░्рд╕рдиे рдирд╡ीрди рд╢ोрд░ूрдо рдордз्рдпे ‘рд╡िрд╢ेрд╖ рдоुрд╣ूрд░्рдд рд▓ॉрди्рдЬ’ рд╣ी рдЕрдиोрдЦी рд╕ंрдХрд▓्рдкрдиा рд╕ाрджрд░ рдХेрд▓ी рдЖрд╣े. рд╢ोрд░ूрдорд▓ा рднेрдЯ рджेрдгाрд▒्рдпा рд▓рдЧ्рдиाрд╕ाрдаी рджाрдЧिрдиे рдЦрд░ेрджीрджाрд░ांрд╕ाрдаी рдЦाрд╕ рд╣ी рд╕ेрд╡ा рддрдпाрд░ рдХрд░рдг्рдпाрдд рдЖрд▓ी рдЖрд╣े. рд╣े рдкुрди्рд╣ा рдбिрдЭाрдИрди рдХेрд▓ेрд▓े рд╣े рд╢ोрд░ूрдо рдСрд░ा рдХॉрдо्рдк्рд▓ेрдХ्рд╕, рдПрд╕-рек/рдПрд╕-рео, рд╕्рд╡ाрдоी рд╡िрд╡ेрдХाрдиंрдж рд░ोрдб рдмोрд░िрд╡рд▓ी рдпेрдеे рдЖрд╣े.


рд╕ंрдкूрд░्рдг рдирд╡ीрди рдк्рд░рдХाрд░рдЪ्рдпा рдпा рд╢ोрд░ूрдо рдордз्рдпे рдХрд▓्рдпाрдг рдЬ्рд╡ेрд▓рд░्рд╕рдЪ्рдпा рдЬ्рд╡ेрд▓рд░ी рдХрд▓ेрдХ्рд╢рди рдордзीрд▓ рдЦाрд╕ рджाрдЧिрди्рдпांрдЪ्рдпा рд╡िрд╕्рддृрдд рдбिрдЭाрдИрди्рд╕рдЪी рд╢्рд░ेрдгी рдк्рд░рджрд░्рд╢िрдд рдХेрд▓ी рдЖрд╣े. рдХрд▓्рдпाрдг рдЬ्рд╡ेрд▓рд░्рд╕ рдкेрдЯ्рд░ॉрди्рд╕рдиा рдЕрдд्рдпाрдзुрдиिрдХ рд╕ुрд╡िрдзा рдЖрдгि рдЬाрдЧрддिрдХ рджрд░्рдЬाрдЪे рд╡ाрддाрд╡рд░рдг рджेрдг्рдпाрдЪे рд╡рдЪрди рджेрддो рдЖрдгि рдПрдХ рдЕрддुрд▓рдиीрдп рдЕрдиुрднрд╡ рд╕ाрджрд░ рдХрд░рддो. рдХрд▓्рдпाрдг рдЬ्рд╡ेрд▓рд░्рд╕рдЪे рдк्рд░рд╢िрдХ्рд╖िрдд рдЖрдгि рдЬाрдгрдХाрд░ рдХрд░्рдордЪाрд░ी рдЧ्рд░ाрд╣рдХांрдиा рдд्рдпांрдЪ्рдпा рд╢ैрд▓ी рдЖрдгि рдмрдЬेрдЯрд▓ा рд╕ाрдЬेрд╕े рджाрдЧिрдиे рд╢ोрдзрдг्рдпाрдд рдорджрдд рдХрд░рддीрд▓. рдХрд▓्рдпाрдг рдЬ्рд╡ेрд▓рд░्рд╕рдЪे рд╢ोрд░ूрдо рдЖрдЬ рдкूрд░्рдгрдкрдгे рдХाрд░्рдпрд░рдд рдЖрд╣े рдЖрдгि рдк्рд░рдд्рдпेрдХ рдЧ्рд░ाрд╣рдХाрдЪी рдЖрд╡рдб рдЖрдгि рдк्рд░ाрдзाрди्рдпाрдиुрд╕ाрд░ рд╕рдордХाрд▓ीрди рдЖрдгि рдкाрд░ंрдкрд░िрдХ рдбिрдЭाрдИрдирдЪी рд╡िрд╕्рддृрдд рд╢्рд░ेрдгी рдк्рд░рджाрди рдХрд░рддे.


рд╢्рд░ी.рд░рдоेрд╢ рдХрд▓्рдпाрдгрд░рдордг, рдХाрд░्рдпрдХाрд░ी рд╕ंрдЪाрд▓рдХ, рдХрд▓्рдпाрдг рдЬ्рд╡ेрд▓рд░्рд╕ рдо्рд╣рдгाрд▓े, “рдирд╡ीрди рд╡рд░्рд╖ рд╕ुрд░ू рд╣ोрдд рдЕрд╕рддाрдиा рдЖрдо्рд╣ी рдмोрд░िрд╡рд▓ी рдпेрдеे рдХрд▓्рдпाрдг рдЬ्рд╡ेрд▓рд░्рд╕рдЪे рдиूрддрдиीрдХрд░рдг рдХेрд▓ेрд▓े рд╣े рдЦाрд╕ рд╢ोрд░ूрдо рдЪाрд▓ू рдХрд░ूрди рд╕ाрд▓ реирежреирей рдордз्рдпे рдкрджाрд░्рдкрдг рдХрд░ीрдд рдЖрд╣ोрдд. рдПрдХ рд╕рдордЧ्рд░ рдкрд░िрд╕ंрд╕्рдеा рдиिрд░्рдоाрдг рдХрд░рдгे, рдЖрдордЪ्рдпा рдЧ्рд░ाрд╣рдХांрдЪ्рдпा рд╡िрд╢िрд╖्рдЯ рдЧрд░рдЬा рдкूрд░्рдг рдХрд░рдгे рдЖрдгि рдд्рдпांрдЪा рдЦрд░ेрджीрдЪा рдЕрдиुрднрд╡ рдЕрдЬूрди рд╕рдоृрдж्рдз рдХрд░рдгे рд╣ा рдпा рдоाрдЧрдЪा рдЙрдж्рджेрд╢ рдЖрд╣े. рдоुрд╣ूрд░्рдд рд▓ॉрди्рдЬ рд╕ुрд░ू рдХрд░рддाрдиा рдЖрдо्рд╣ाрд▓ा рд╡िрд╢्рд╡ाрд╕ рдЖрд╣े рдХी рд╣ी рд╕ेрд╡ा рд▓рдЧ्рдиाрдЪ्рдпा рдЦрд░ेрджीрджाрд░ांрдордз्рдпे рдоोрда्рдпा рдк्рд░рдоाрдгाрд╡рд░ рд▓ोрдХрдк्рд░िрдп рд╣ोрдИрд▓. рдХंрдкрдиीрдЪ्рдпा рд╡िрд╢्рд╡ाрд╕ рдЖрдгि рдкाрд░рджрд░्рд╢рдХрддेрдЪ्рдпा рдиिрддीрдоूрд▓्рдпांрд╡рд░ рдЦрд░े рд░ाрд╣ूрди рдЧ्рд░ाрд╣рдХांрдиा рдЬाрдЧрддिрдХ рджрд░्рдЬाрдЪे рд╡ाрддाрд╡рд░рдг рдк्рд░рджाрди рдХрд░ूрди рд╕्рд╡рддःрд▓ा рдкुрди्рд╣ा рдкुрди्рд╣ा рдирд╡्рдпाрдиे рд╢ोрдзрдг्рдпाрдЪी рдЖрдордЪी рдорд╣рдд्рд╡ाрдХांрдХ्рд╖ा рдЖрд╣े.”


рдирд╡ीрди рд╢ो рд░ूрдо рд╕ुрд░ू рдХрд░рдг्рдпाрдЪा рдЖрдиंрдж рдЕрдиोрдЦ्рдпा рд╢ैрд▓ीрдд рд╕ाрдЬрд░ा рдХрд░ूрди рдм्рд░ॅंрдб рдиे рд╕рд░्рд╡ рджाрдЧिрди्рдпांрдЪ्рдпा рдШрдбрдгाрд╡рд│ीрд╡рд░ реирел% рдкрд░्рдпंрдд рд╕ूрдЯ рддрд╕ेрдЪ рд╕ोрди्рдпाрдЪ्рдпा рджрд░ाрд╡рд░ рд╕ूрдЯ рдЬाрд╣ीрд░ рдХेрд▓ी рдЖрд╣े. рдЧ्рд░ाрд╣рдХ рджाрдЧिрди्рдпांрдЪ्рдпा рдЦрд░ेрджीрд╡рд░ рдХрд▓्рдпाрдгрдЪ्рдпा рдЪाрд░ рд╕्рддрд░ीрдп рд╣рдоी рдк्рд░рдоाрдгрдкрдд्рд░ाрд╕рд╣ (рек-рд▓ेрд╡рд▓ рдЕॅрд╢्рдпूрд░рди्рд╕ рд╕рд░्рдЯिрдлिрдХेрд╢рди) рд░ोрдоांрдЪрдХ рдСрдлрд░्рд╕рдЪा рд▓ाрдн рдШेрдК рд╢рдХрддाрдд.

рд╕ोрдиाрд▓ी рдХुрд▓рдХрд░्рдгीрдиे рджिрд▓ी рдЧुрдбрди्рдпूрдЬ ?

 рд╕ोрдиाрд▓ी рдХुрд▓рдХрд░्рдгीрдиे рджिрд▓ी рдЧुрдбрди्рдпूрдЬ ? 


рд▓ॉрдХрдбाрдКрдирдордз्рдпे рд░рдЬिрд╕्рдЯрд░ рдоॅрд░ेрдЬ рдХेрд▓्рдпाрдиंрддрд░ рдоाрдЧीрд▓ рд╡рд░्рд╖ी рд╕ोрдиाрд▓ी рдХुрд▓рдХрд░्рдгीрдиे рдХुрдгाрд▓ рдмेрдиोрдбेрдХрд░рд╕ोрдмрдд рд▓ंрдбрдирдордз्рдпे рдзुрдордзрдбाрдХ्рдпाрдд рд▓рдЧ्рди рдХेрд▓े. рдЖрддा рдиुрдХрддीрдЪ рд╕ोрдиाрд▓ी рдХुрд▓рдХрд░्рдгीрдиे 'рдкрдЯрд▓ं рддрд░ рдШ्рдпा рд╡िрде рдЬрдпंрддी' рдпा рдЯॉрдХрд╢ोрдордз्рдпे рдПрдХ рдЧुрдбрди्рдпूрдЬ рджिрд▓ी рдЖрд╣े. рд╕ोрдиाрд▓ी рдХोрдгाрд▓ाрддрд░ी рдлोрди рдХрд░ूрди 'рдЖрддा рдиाрд╣ी рдпेрдК рд╢рдХрдд, рдХाрд░рдг рдЧुрдб рди्рдпूрдЬ рдЖрд╣े' рдЕрд╕ं рд╕ांрдЧрдд рдЖрд╣े. рдд्рдпाрдоुрд│े рдЖрддा рд╕ोрдиाрд▓ीрдЪ्рдпा рдШрд░ाрддрд╣ी рдкाрд│рдгा рд╣рд▓рдгाрд░ рдХा? рдЕрд╕ा рдк्рд░рд╢्рди рддिрдЪ्рдпा рдЪाрд╣рдд्рдпांрдиा рдкрдбрд▓ा рдЖрд╣े. рдЖрддा рд╣ी рдЧुрдбрди्рдпूрдЬ рдХाрдп рдЖрд╣े, рд╣े рдЬाрдгूрди рдШेрдг्рдпाрд╕ाрдаी рдк्рд░ेрдХ्рд╖рдХांрдиा рдпेрдд्рдпा рд╢ुрдХ्рд░рд╡ाрд░рдкрд░्рдпंрдд рд╡ाрдЯ рдкाрд╣ाрд╡ी рд▓ाрдЧेрд▓. рдпाрд╡ेрд│ी рд╕ोрдиाрд▓ीрдиे рддिрдЪ्рдпाрд╕ोрдмрдд рдШрдбрд▓ेрд▓े рдЕрдиेрдХ рдХिрд╕्рд╕े рд╢ेрдЕрд░ рдХेрд▓े. рд╕ोрдиाрд▓ी рдХुрд▓рдХрд░्рдгी рдЖрдгि рддिрдЪ्рдпाрдордз्рдпे рд▓ोрдХांрдЪा рдХрд╕ा рдЧोंрдзрд│ рд╡्рд╣ाрдпрдЪा, рдпाрдЪाрд╣ी рдзрдоाрд▓ рдХिрд╕्рд╕ा рддिрдиे рдпाрд╡ेрд│ी рд╕ांрдЧिрддрд▓ा. рддिрдЪ्рдпा рдЖрд╡ाрдЬाрд╡рд░ूрди рддिрд▓ा рдЕрдиेрдХрджा рдиाрдХाрд░рдг्рдпाрдд рдЖрд▓े, рд╣ेрд╕ुрдж्рдзा рддिрдиे рдпाрд╡ेрд│ी рд╕ांрдЧिрддрд▓े. рд╣ा рдПрдкिрд╕ोрдб рдк्рд░ेрдХ्рд╖рдХांрдиा рд╢ुрдХ्рд░рд╡ाрд░ी рдк्рд▓ॅрдиेрдЯ рдорд░ाрдаी рдУрдЯीрдЯीрд╡рд░ рдкाрд╣рддा рдпेрдгाрд░ рдЖрд╣े.

'рдЬिрд╡ाрдЪी рд╣ोрддिрдпा рдХाрд╣िрд▓ी'

 'рдЬिрд╡ाрдЪी рд╣ोрддिрдпा рдХाрд╣िрд▓ीрдпा рдоाрд▓िрдХेрдд рдк्рд░рджीрдк рд╡ेрд▓рдгрдХрд░ рддाрдд्рдпांрдЪ्рдпा рднूрдоिрдХेрдд.

  'рдЬिрд╡ाрдЪी рд╣ोрддिрдпा рдХाрд╣िрд▓ीрд╕ोрдорддे рд╢рдиिрд╕ंрдз्рдпा. 7.30 рд╡ाрд╕ोрдиी рдорд░ाрдаी рд╡ाрд╣िрдиीрд╡рд░.

 


рд╕ोрдиी рдорд░ाрдаी рд╡ाрд╣िрдиीрд╡рд░ीрд▓ 'рдЬिрд╡ाрдЪी рд╣ोрддीрдпा рдХाрд╣िрд▓ीрд╣ी рдоाрд▓िрдХा рдорд╣ाрд░ाрд╖्рдЯ्рд░ рдЖрдгि рдХाрдирдбी рдпांрдЪ्рдпा рдк्рд░ेрдоाрд╡рд░ рднाрд╖्рдп рдХрд░рддे рдЖрд╣ेрдк्рд░рдоुрдЦ рдиाрдпрдХाрдЪ्рдпा рднूрдоिрдХेрдд рдХोрд▓्рд╣ाрдкूрд░рдЪा рд░ांрдЧрдбा рдЧрдбीрдЕрднिрдиेрддा рд░ाрдЬ рд╣ंрдЪрдиाрд│े рдк्рд░ेрдХ्рд╖рдХांрдЪ्рдпा рд╡िрд╢ेрд╖ рдкрд╕ंрддीрд╕ рдкрдбрддोрдпрддрд╕ेрдЪ рдк्рд░рддीрдХ्рд╖ा рд╢िрд╡рд▓рдХрд░ рд╣िрдЪा рдХाрдирдбी рдЕंрджाрдЬрд╕ुрдж्рдзा рдк्рд░ेрдХ्рд╖рдХांрдиा рдЖрд╡рдбрддो рдЖрд╣ेрдорд░ाрдаी рд░ांрдЧрдбा рдЧрдбी рдЕрд░्рдЬुрди рдЖрдгि рдХाрдирдбी рднाрд╖िрдХ рд░ेрд╡рдеी рдпांрдЪी рд╣ी рдк्рд░ेрдордХрд╣ाрдгी рд╕ोрдиी рдорд░ाрдаी рд╡ाрд╣िрдиीрд╡рд░ рдкाрд╣ाрдпрд▓ा рдоिрд│рддे рдЖрд╣ेрд╕ोрдиी рдорд░ाрдаी рд╡ाрд╣िрдиी рдк्рд░ेрдХ्рд╖рдХांрдЪं рдордиोрд░ंрдЬрди рдХрд░рдг्рдпाрдд рд╡्рдпрдЧ्рд░ рдЖрд╣ेрд╕ोрдиी рдорд░ाрдаी рд╡ाрд╣िрдиीрд╡рд░ рд╕ुрд░ू рдЕрд╕рд▓ेрд▓्рдпा 'рдЬिрд╡ाрдЪी рд╣ोрддिрдпा рдХाрд╣िрд▓ीрдпा рдк्рд░ेрдордХрд╣ाрдгीрд▓ा рдк्рд░ेрдХ्рд╖рдХांрдЪी рд╡िрд╢ेрд╖ рдкрд╕ंрддी рдоिрд│рддे рдЖрд╣ेрд╕рдз्рдпा рдоाрд▓िрдХा рд░ंрдЧрддрджाрд░ рд╡рд│рдгाрд╡рд░ рдпेрдКрди рдкोрдЪрд▓ी рдЖрд╣ेрдЕрд░्рдЬुрди рдЖрдгि рд░ेрд╡рдеी рдпांрдЪ्рдпा рдоैрдд्рд░ीрдЪे рд░ूрдкांрддрд░ рдк्рд░ेрдоाрдд рд╣ोрддे рдЖрд╣े.

рд╕рдз्рдпा рдЧाрд╡ाрдд рдорд░ाрдаी рд╢ाрд│ा рдмंрдж рдХрд░рдг्рдпाрд╡рд░ рдЕрдк्рдкा рднрд░ рджेрдд рдЖрд╣ेрддрдд्рдпाрд╡िрд░ुрдж्рдз рдЕрд░्рдЬुрдирдЪा рд▓рдвा рд╕ुрд░ू рдЖрд╣ेрдЪрдкрдг рддाрдд्рдпांрдЪे рдЧाрд╡ाрдд рдкुрдирд░ाрдЧрдорди рдЭाрд▓े рдЖрд╣ेрддे рдЖрддा рдЕрд░्рдЬुрдирд▓ा рдХрд╢ा рдк्рд░рдХाрд░े рдорджрдд рдХрд░рддीрд▓рд╣े рдкाрд╣ाрдпрд▓ा рдоिрд│ेрд▓рдкрдг рдоाрд▓िрдХेрдд рдЖрддा рддाрдд्рдпांрдЪा рднूрдоिрдХेрдд рдк्рд░рджीрдк рд╡ेрд▓рдгрдХрд░ рдкाрд╣ाрдпрд▓ा рдоिрд│рдгाрд░ рдЖрд╣ेрддрдиिрд░рдиिрд░ाрд│्рдпा рднूрдоिрдХांрдордзूрди рдк्рд░ेрдХ्рд╖рдХांрд╕рдоोрд░ рдпेрдгाрд░े рджिрдЧ्рдЧрдЬ рдЕрднिрдиेрддे рдк्рд░рджीрдк рд╡ेрд▓рдгрдХрд░ рдЖрддा рддाрдд्рдпांрдЪ्рдпा рднूрдоिрдХेрдд рдкाрд╣ाрдпрд▓ा рдоिрд│рдгाрд░ рдЖрд╣ेрддрддाрдд्рдпांрдЪे рдорд╣ाрд░ाрд╖्рдЯ्рд░ाрд╡рд░ीрд▓ рдк्рд░ेрдо рдЖрдгि рдорд░ाрдаी рднाрд╖ेрд╡рд░ीрд▓ рдк्рд░рднाрд╡ рдк्рд░рджीрдк рд╡ेрд▓рдгрдХрд░ рдХрд╢ा рдк्рд░рдХाрд░े рдиिрднाрд╡рддीрд▓ рд╣े рдкाрд╣рдгे рдЙрдд्рд╕ुрдХрддेрдЪे рдард░рдгाрд░ рдЖрд╣ेрдЕрд░्рдЬुрди рдЖрдгि рд░ेрд╡рдеी рдпांрдЪे рдк्рд░ेрдо рдпाрдкुрдвे рдХрд╕े рдлुрд▓рдд рдЬाрдгाрд░ рдЖрд╣ेрд╣े рдкाрд╣ाрдпрд▓ा рдоिрд│ेрд▓.

 рдорд░ाрдаी рд░ांрдЧрдбा рдЧрдбी рдЕрд░्рдЬुрди рдЖрдгि рдХाрдирдбी рднाрд╖िрдХ рд░ेрд╡рдеी рдпांрдЪी рд╣ी рдк्рд░ेрдордХрд╣ाрдгी рдкाрд╣ाрдпрд▓ा рд╡िрд╕рд░ू рдирдХा,                     'рдЬिрд╡ाрдЪी рд╣ोрддिрдпा рдХाрд╣िрд▓ी' рд╕ोрдорддे рд╢рдиिрд╕ंрдз्рдпा. 7.30 рд╡ाрд╕ोрдиी рдорд░ाрдаी рд╡ाрд╣िрдиीрд╡рд░.


'рдЗрд▓ू рдЗрд▓ू' рдо्рд╣рдгрдд рдПрд▓ीрдЪी рдорд░ाрдаी рдЪिрдд्рд░рдкрдЯाрдд рдПंрдЯ्рд░ी

  'рдЗрд▓ू рдЗрд▓ू' рдо्рд╣рдгрдд рдПрд▓ीрдЪी рдорд░ाрдаी рдЪिрдд्рд░рдкрдЯाрдд рдПंрдЯ्рд░ी рдПрдХीрдХрдбे рдорд░ाрдаी рдЪिрдд्рд░рдкрдЯ рджेрд╢рд╡िрджेрд╢ाрддीрд▓ рдЪिрдд्рд░рдкрдЯ рдорд╣ोрдд्рд╕рд╡ांрдордз्рдпे рдмाрдЬी рдоाрд░рдд рдЖрд╣ेрдд, рддрд░ рджुрд╕рд░ीрдХрдбे ...